The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
The 141 series is crafted by pouring two ladlefuls of hot glass freehand over a curved rod to create two overlapping puddles. The rod is then lifted, and the puddles wing out into an unpredictable shape in a gesture that is both simple and cinematic at once. After this process, the rod is replaced with an LED light source. The 141 is meant to be hung as a single element or in clusters, with the irregular shapes conversing with one another.
The 118 series captures feather-like impressions made during the glassblowing process. These delicate forms become more pronounced when illuminated, revealing intricate details that evoke natural motifs and highlight the ability of glass to preserve ephemeral shapes.
141 RANDOM
The random arrangement uses coaxial cables to suspend the pendants in ambient groupings.
141 SCULPTURAL CABLE
The sculptural cable is a flexible suspension system that enables pendants to nestle in close-knit groups or to spread out in a wider field, allowing each piece to be perceived individually.
141 CLUSTER COLUMN
The cluster column suspends the pendants from coaxial cables at varying heights to create vertically oriented arrangements.
141 SERIES GALLERY
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BOCCI
AT HOUSTON
Bocci is a multidisciplinary design studio, research lab, and factory built around the core design principles of Omer Arbel. They explore novel production methods, allowing materials to respond according to their inherent properties, unveiling the hidden potentials within glass, metal, concrete, fire, electricity and others.
CAM Studio, founded by Carla Muñoz in 2018 after 20 years of experience in
high-end furniture and design, is the Bocci dealer.
Bocci is a multidisciplinary design studio, research lab, and factory built around the core design principles of Omer Arbel. They explore novel production methods, allowing materials to respond according to their inherent properties, unveiling the hidden potentials within glass, metal, concrete, fire, electricity and others. CAM Studio, founded
by Carla Muñoz in 2018 after 20 years of experience in high-end furniture and design,
is the Bocci dealer.
“As an architect, I value trade relationships; like Cam Studio, based on quality of product, knowledge of team, reliability of service and design aesthetic. Carla Munoz and her team excel on all fronts and service clients in Texas as well as internationally. I’ve worked with her on many projects over the course of twenty years and exceptional customer service remains an art for her. Highly recommend.”
Karen L.
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© Copyright 2026 | CAM Studio | All Rights Reserved. All content, logos, trademarks, product descriptions, videos and images are the property of their respective owners. Brand materials are used to identify brands and products. Unauthorized use is prohibited.